A pointed base that gives a teapot a dancer's soul. Heinrich Wang replaces the conventional flat base with a tapered point — the teapot rises from almost nothing, its body lifted and elongated, as if mid-pirouette in a spring breeze. Still on the table, already in motion.
The arc-form handle extends the gesture. Slender and fluid, the handle does not merely offer a grip — it completes the line of the teapot's silhouette, carrying the eye outward and upward. Noble, contemporary, effortlessly graceful.
Ten miles of blossom fragrance in every pour. Heinrich Wang wrote of spring wind carrying the scent of a hundred flowers across ten miles. Every time you lift this teapot, that image moves with it — lightness, fragrance, the season in full expression.
Exceptionally low yield — every piece earns its place. The tapered base and minimal contact point make this one of the most demanding pieces in the studio to fire. Warping, cracking, and misalignment are constant risks. Each completed set is the result of repeated firing, correction, and craft discipline.