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八方新氣 藝術瓷器 NewChi Porcelain

Imperial Memories | White Porcelain Square Set

Square in form, curved at every edge

Glaze
Regular price
$6,560.00 TWD
Regular price
Sale price
$6,560.00 TWD
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The Imperial Memories Square Set is the most geometric of the three — a cup body that approaches a perfect square, with every corner resolved into a precise arc. This "square with curved edges" was the most technically demanding detail in the series: a pure right angle would be too cold, a pure circle too soft. The arc at each corner is where Heinrich Wang found the character of the piece. Paired with a square saucer whose cup seat returns the cup to its exact position after each sip, this set is an exercise in considered restraint.

 

Designed by Taiwanese artist Heinrich Wang

Designed by contemporary white porcelain artist Heinrich Wang, each piece brings Eastern philosophy into contemporary form.

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Reflections on life, given form as objects — a modern aesthetic with a Zen sensibility.

Pure White Porcelain with Clear Glaze | Handmade

A clear glaze reveals the purest white of the fired porcelain body.

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Only hands can pass on the warmth of the hand. Every NewChi piece is handmade, taking on the most demanding challenges of porcelain craft.

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Kraft Gift Box & Greeting Card

Suited to important celebrations, wishes for elders, corporate gifts and art collections. For a handwritten greeting card, please add your message in the order notes at checkout.

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For a custom wooden or acrylic display stand, please contact us.

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〈帝國記憶〉方杯盤,戶外桌面
帝國記憶方杯長盤組光面版本,展現現代與東方融合的精品瓷器設計
帝國記憶系列茶壺與杯盤,壓克力台上
〈帝國記憶〉方杯置於方盤,灰色背景
帝國記憶白瓷茶杯與茶壺組合,置於茶席環境展現現代茶席氛圍
帝國記憶方杯方盤組光面版本,展現現代與東方融合的精品瓷器設計
帝國記憶白瓷杯體與壺體不同角度展示
斟茶入〈帝國記憶〉方杯
帝國記憶方杯方盤組光面版本,展現現代與東方融合的精品瓷器設計
〈帝國記憶〉方杯盤,戶外玻璃茶桌
帝國記憶方杯方盤白瓷茶杯與咖啡杯組,方正結構展現當代幾何設計與穩定餐桌視覺秩序
帝國記憶系列茶壺與方杯盤
帝國記憶系列茶壺與多組杯盤並列
帝國記憶白瓷茶杯側面視角,幾何曲線與開口比例呈現當代設計語言
帝國記憶白瓷茶杯側面視角,幾何曲線與開口比例呈現當代設計語言
帝國記憶白瓷茶杯側面視角,幾何曲線與開口比例呈現當代設計語言
〈帝國記憶〉方杯盤,光影下
帝國記憶系列杯盤,戶外玻璃桌茶席
方盤邊緣立體曲線細節,靈感源自宮廷建築基座
帝國記憶方盤側視 展現立體曲線與東方造型的精緻工藝
帝國記憶方盤俯視 展現立體曲線與東方造型的精緻工藝
〈帝國記憶〉方杯正面,木條桌面
〈帝國記憶〉方杯斜側面,木條桌面
〈帝國記憶〉方杯側面,片狀杯把
帝國記憶系列茶壺、方杯與方盤
帝國記憶 藝術造形壺 白瓷
〈帝國記憶〉方杯盤與枝條花器
〈帝國記憶〉方杯盛茶,旁有茶葉方盤
〈帝國記憶〉方杯盤正面,木條桌面
〈帝國記憶〉方杯盤斜側面,木條桌面
〈帝國記憶〉方盤與方杯俯視
〈帝國記憶〉方盤與方杯俯視,斜角
帝國記憶系列茶壺、杯盤與糖罐,排列於壓克力台
帝國記憶 杯盤組 白瓷藝術 造形杯 方杯 長盤 咖啡杯盤 亮面

Why This Set

Square is a posture. Where the round set is yielding, the square set declares. The geometric lines communicate something direct — composed, unhurried, uncompromising. Holding a square cup tends to straighten the spine.

"Square with curved edges" is the hardest detail to get right. The arced corners of the square cup require precise calculation at the clay stage — and the high-temperature kiln is most likely to deform the piece at exactly those corners. Every finished cup represents a resolved prediction of where and how the clay will move.

The square flat surface is a porcelain engineering achievement. Wide, flat planes are among the most difficult forms in high-fired porcelain — they warp along the diagonal during firing. The flat faces of the square saucer represent one of the most demanding technical challenges in the Imperial Memories series.

The saucer seat demands a return. The square saucer has a precisely fitted seat for the square cup. After each sip, the cup goes back. Not anywhere — back to its place. This is not a detail. It is the entire philosophy of the set condensed into a single repeated gesture.

Gloss and matte — same geometry, different character. In strong directional light, the gloss finish makes the geometric lines sharp and decisive. In natural or diffused light, the matte finish softens the edges and gives the surface warmth. Both are in stock.

Usage Scenarios

  • 〈帝國記憶〉方杯盤,戶外玻璃茶桌

    The morning that requires clarity

    A square cup in hand before anything else. The geometry asks for a certain presence — not relaxation, but composure. The cup goes back to its seat when the sip is finished.

  • 帝國記憶白瓷茶杯與茶壺組合,置於茶席環境展現現代茶席氛圍

    A formal tea or coffee setting

    The square set brings a composed, architectural quality to a tea table. Paired with the Imperial Memories teapot, the visual language of the table becomes precise and unified.

  • 〈帝國記憶〉方杯盛茶,旁有茶葉方盤

    The desk and the workspace

    The square cup and saucer on a work desk is a statement about how the day is approached. When not in use, the set at rest on the desk has the presence of a considered object, not a utilitarian one.

帝國記憶咖啡杯盤組 亮面杯細節 重複的線條重現古代酒器“尊”的風貌

Inspiration | Reading Life's Philosophy in the Language of Objects

The square cup body sits at the precise boundary between geometric and organic. The four vertical edges are not sharp — each is resolved into an arc whose radius was determined by repeated trials with clay prototypes, looking for the point at which the square reads as strong without feeling harsh, and the arc reads as refined without losing the decisiveness of the square form.

The square saucer's flat surface is not perfectly horizontal — it carries a barely perceptible central depression that guides the cup to its seat with a naturalness that only becomes apparent after several uses. The rim of the saucer echoes the arc geometry of the cup's lower body, so that the two pieces, when together, read as a single resolved object.

Details

Design Concept

Architectural Form|Square Cup with Regal Presence

The square-shaped cup conveys poise and structure, inspired by temple columns and ancestral rites—embodying balance, strength, and elevated aesthetics.

Ritualized Use|Lift, Pause, Sip

Each use begins with the gentle act of lifting the cup and plate together, creating a deliberate pause. The experience brings intention and reverence to the everyday ritual of coffee or tea.

The Imperial Memories Square Cup and Saucer Set applies the geometric vocabulary of the series to its most demanding form. Where the round set works with the natural tendency of clay toward curves, the square set works against it — imposing straight lines and flat planes on a material that resists both. The arced corners are Heinrich Wang's resolution of that resistance: not eliminating the square, but civilizing it. The square saucer's wide flat face was one of the most technically difficult surfaces in the entire Imperial Memories series to fire flat.

The saucer's cup seat is cut to the precise base dimensions of the square cup. Each use of the set ends with returning the cup to that seat — an act that closes the ritual and acknowledges the object's own logic.

Usage Scenarios

The Square Set suits both tea and coffee. Its geometric language sits naturally in contemporary and design-forward interiors. The gloss finish emphasizes the sharpness of the square form; the matte finish brings warmth to what might otherwise read as purely architectural. Both finishes are in stock.

Who It's For

  • Luxury Gift Seekers:Perfect for weddings, promotions, housewarmings, or as an elegant gift for mentors and loved ones.
  • Lovers of Minimalist Design & Cultural :Those who appreciate both modern lines and heritage storytelling
  • Art Collectors:Connoisseurs who value structural originality and handcrafted ceramic art.

Dimensions

Cup : L11.9 × W8.7 × H7.5 cm
Plate:L13.3 × W13.3 × H3.3 cm

  • "From its bearing, it radiates a dignity and a generosity of welcome — passed down without end, sustained through every sip."
    — Heinrich Wang

八方新氣創辦人藝術家王俠軍,白瓷工作室創作中

About the Artist | Heinrich Wang

Heinrich Wang, founder of NewChi Porcelain and of Tittot, is one of Taiwan's most representative contemporary artists in white porcelain and glass. He brings philosophy and poetry into the design of objects; his work has been exhibited at the National Museum of History in Taiwan, the National Taiwan Craft Research and Development Institute and the Triennale di Milano, and is held in collections in Taiwan and abroad. Each piece is personally overseen by Heinrich Wang, bringing together artistry, culture and everyday use.

Creativity

Moving with the times — telling stories of our era through contemporary aesthetic experience and feeling.

Craftsmanship

Exceptional craftsmanship shapes every piece, carrying tradition forward through innovation.

Poetry

Meaningful blessings and considered ritual — an aesthetic dialogue between body and mind.