Held in Grace | White Porcelain Hand Bowl · One Hand, Full Presence

Prosperity earned by those who hold steady — one hand, unwavering

Held in Grace is a white porcelain fruit bowl carried by a single hand — palm open, fingers curved, pressed firmly against the underside of the oval dish. Heinrich Wang designed this hand with one idea in mind: what the hand holds is not the bowl. It is responsibility. It is the willingness to carry what needs to be carried, with care and without hesitation. Inside the bowl, the four characters 富貴吉祥 (wealth, nobility, good fortune, auspiciousness) are rendered in shallow relief — visible when the bowl is empty, quietly present beneath whatever it holds.

Regular price: $6,880.00 TWD
Regular price
Sale price: $6,880.00 TWD

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Contemporary White Porcelain Craft · Fired at 1300°C

Shipping / Returns | Gift Packaging | Porcelain Care | Custom Base

Designed by Taiwanese artist Heinrich Wang

Designed by contemporary white porcelain artist Heinrich Wang, each piece embodies Eastern philosophy and contemporary form.

Transforming life philosophy into functional art, conveying a Zen-inspired modern aesthetic.

Transparent-glazed pure white porcelain | Hand crafted

Crafted with a transparent glaze technique, revealing the pure beauty of porcelain’s natural white after firing.

Only human hands can convey their warmth — every NewChi Porcelain piece is handmade, embracing the challenges of fine porcelain craftsmanship.

Gift Box & All-Occasion Card

Perfect for important festivals, greetings to elders, corporate gifting, and art collections — conveying taste and blessings. If you would like a handwritten all-occasion card, please note your request in the remarks field at checkout.

For custom wooden or acrylic bases, please contact customer service.

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Why Held in Grace | Why This Piece

One hand — the posture of capable, unhurried accountability. This is not two hands raised in offering. It is one hand, steady and open, carrying the full weight without strain. Heinrich Wang chose the single hand deliberately: those with genuine capability hold what they must hold with ease — one hand is enough, and that ease is itself a kind of confidence. The form communicates what it takes to earn good fortune: not luck, but the quiet steadiness of someone who shows up, holds on, and does not waver.

The fingers pressed close — the detail of full attention. The hand does not loosely support the bowl. The fingers follow the curve of the base, pressed firmly along its underside — the design language of thorough, attentive care. Wang writes: "This manner of conducting oneself will inevitably bring success and nobility, inevitably bring ease and auspiciousness." Prosperity is not waited for. It is held into being.

The four characters inside the bowl — a blessing that knows when to appear. The characters 富貴吉祥 are carved in shallow relief on the interior surface of the bowl — not announced, not displayed, but present. When the bowl is filled, they rest beneath what it holds. When the bowl is empty, they surface quietly. A blessing does not need to be seen every time. It only needs to always be there.

The oval surface is the most demanding element to produce. The spaces between the fingers are prone to hairline cracking during firing. Every finished piece with a clean dish surface and intact finger detail represents careful, unhurried work at each stage of production.

使用情境｜Usage Scenarios

Fruit and seasonal offerings
The oval surface — 17 × 11 cm — suits strawberries, grapes, figs, nuts, or festive sweets. The single hand carrying the bowl gives even the most ordinary fruit a quality of being offered rather than simply placed. On a table when guests arrive, this piece does not need explanation.
On the desk or tea tray
Empty, the hand holding nothing is still making a statement. On a desk, a side table, or a tea tray, the form is a quiet reminder: this is what it looks like to carry responsibility with ease. An object that works on you slowly, over time.
A gift for significant occasions
The meaning of Held in Grace is direct and carries genuine weight — appropriate for a business opening, a promotion, a significant birthday, a retirement, or any occasion where the wish is for a prosperous and considered life. Ships in a gift box, ready to present.

富貴吉祥白瓷托手果盤中，盤中刻有「富貴吉祥」四字，讓祝福以最安靜的方式長久留存 NewChi Porcelain

設計細節｜Design Detail

The hand is the center of this piece — palm upward, fingers slightly curved, following the underside of the oval bowl in close, even contact. The "pressed close" quality of the grip is not incidental. It is the design's core statement: not a casual hold, not a temporary support, but a full and considered carrying. Each time this piece is looked at, the hand communicates that quality of presence.

The oval bowl surface rises gently at the rim, gathering what is placed inside toward the center — full-looking, settled, secure. The surface carries no applied decoration; the white porcelain itself is the material. Inside the bowl, the four characters 富貴吉祥 rest in shallow relief — carved into the surface so that they are part of the piece, not added to it. When the bowl is empty and the light is right, they are there.

Product Detail

Design Concept

Held in Grace is a white porcelain hand bowl by Heinrich Wang, designed around the idea that good fortune is earned through the quality of how one holds what one is given — carefully, attentively, without putting it down. The single open hand pressed firmly against the oval bowl base is the most direct form Wang could find for this idea. It is the posture of accountability made permanent in white porcelain.

Heinrich Wang writes in his work: "Courage, accountability, responsibility — these culturally correct values must become the basic elements of the design." Held in Grace is that principle in its most literal form: a hand that does not let go, pressing close, carrying everything placed within it with the same quality of care.

The four characters 富貴吉祥 — wealth, nobility, good fortune, auspiciousness — are carved in shallow relief on the interior surface. They are there whether seen or not. That permanence is the point.

Occasions or Usage

The oval bowl surface (L17 × W11 cm) suits fruit, sweets, dried botanicals, small objects, or a single arrangement of low flowers. The piece works equally well in use and on display. The interior relief characters are most visible when the bowl is empty and light falls directly across the surface.

Ideal For

Personal use: Those who want the objects of daily life to carry a quality of reminder — a form that asks something of the person who lives alongside it

Gifting: Business openings, promotions, significant birthdays, retirement presentations, Dragon Boat Festival, Lunar New Year — any occasion where the wish is for a prosperous and considered life

Collecting: The craft difficulty of the hand form, combined with the interior relief inscription, gives this piece a depth that rewards close attention over time

Dimension

L17 × W11 × H10.5 cm

In the attentive care of daily life,
in the courage of work undertaken fully —
to act with one's own hands,
and engrave the mark of prosperity and grace
into the surface of a life.
— Heinrich Wang

About the Artist | Heinrich Wang

Heinrich Wang, founder of NewChi Porcelain and Tittot, is one of Taiwan’s most representative contemporary artists in white porcelain and liuli glass. Renowned for infusing philosophy and poetry into object design, his works have been exhibited at the National Museum of History in Taiwan, the Taiwan Craft Research and Development Institute, and the Triennale di Milano, earning recognition from collectors worldwide. Every porcelain piece is personally overseen by Wang, offering an aesthetic choice that unites artistry, cultural depth, and practical function.

Discover More Heinrich's Design Note

Why a single hand rather than two?

The single hand is a deliberate choice. Two hands raised in offering is a gesture of deference — reverent, humble, giving something up. One hand held steady beneath the bowl is something different: the posture of someone with the capacity and the confidence to carry what needs to be carried, without needing the support of the second hand. Heinrich Wang designed this as the form of genuine accountability — not the performance of care, but the quiet fact of it. One hand is enough. That sufficiency is the statement.

What are the characters inside the bowl, and when can you see them?

The four characters 富貴吉祥 — meaning wealth, nobility, good fortune, and auspiciousness — are carved in shallow relief on the interior surface of the bowl. When the bowl is filled, they rest quietly beneath what it holds. When the bowl is empty and light falls across the surface at the right angle, they emerge. The inscription is not a label or a decoration. It is part of the material of the piece — always present, visible on its own terms. A blessing that does not demand to be seen, but does not disappear.

Is Held in Grace appropriate for a business opening or promotion gift?

It is one of the most directly appropriate pieces in the NewChi Porcelain range for these occasions. The design's core message — that prosperity follows from the quality of how one holds responsibility, attentively and without letting go — speaks directly to someone taking on a new level of accountability in their work. The gift says something specific: not just "congratulations," but "this is what it takes, and I believe you have it." Ships in a gift box. The inscription inside the bowl makes it a piece worth examining closely on receipt — and again, later, when it has been lived with for a while.

Gift Wrapping

Each NewChi Porcelain piece comes with an elegantly designed gift box.

From the moment it is opened, it conveys your thoughtfulness and refined taste.

Whether it’s a housewarming gift, a wedding present, or a gesture of appreciation for someone important, it expresses warmth and emotion beyond words.

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