山水線,是器物對自然的回應也回應現代人對禪意生活的追求。

Collection: The Mountain–Water Line|Contemporary Porcelain Collection|Where Nature Meets Ritual

A poetic dialogue between landscape and form.

The Mountain–Water Line is a series of contemporary porcelain tea sets inspired by the terrain of the Taipei Basin—where mountains embrace water and contours evoke quiet flow. Each piece translates this natural intimacy into refined curves and elevated forms, reflecting the stillness of landscapes and the clarity of modern design.

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The Mountain–Water Line draws from the four spiritual pillars of Eastern tea culture:

Truth, Clarity, Harmony, and Way.

Every piece is designed with simplicity of line and depth of character, embodying the spirit of the mountains and the serenity of water.


  • is the pursuit of refined aesthetics—the creation of forms as graceful as nature itself.

  • is the movement of elegance—where stillness and simplicity shape new horizons.

  • is the layering of emotions—bringing the mountains’ presence into everyday rituals.

  • is the reverence of presence—framing each moment of tea as sacred and unrepeatable.


As Heinrich Wang writes in The Will of the Teapot:


“A fine teapot is a vessel of landscape and spirit—a translation between feeling and space.”


Each tea set in the Mountain–Water Line features elevated footed bases, lifting teapots and cups above the table plane. This design not only enhances visual presence and flow but also revives the classical tradition of ceremonial vessels in ancient Chinese culture. The lifted structure invites grace and composure into every pour, every pause.


Yet crafting such fine footed porcelain is a formidable challenge. At high kiln temperatures, porcelain softens and risks collapse. Each piece must be stabilized with precision supports, shaped and fired with exacting control. The result: structurally bold yet serene objects, where craftsmanship, philosophy, and the beauty of mountain and water meet.

  • “The heart follows the enviroment and the object, and so the base is elevated—rising like a mountain—to give new meaning to what was once an overlooked platform. This elevation is the teapot’s confident declaration of vitality, a quiet awakening of metropolitan aesthetics, and the first gesture of ritual. It marks a graceful farewell to the simplicity of the traditional Eastern teapot form.”

    - Heinrich Wang

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