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Drifting Clouds | White Porcelain Teaware · The Art of One Encounter

Wherever It Drifts, That Is the Encounter

Drifting Clouds is part of Heinrich Wang's Mountain Water Line series — and among his most cherished works. The body is long and lean like a shuttle; the base rises like a mountain; the handle is a small circle of cloud, placed at the center rather than the sides. Light as a cloud, weighty as a ritual: this contrast is the piece's design statement. The lidless opening lets tea leaves breathe freely — and means the pot is always ready, without preparation. Teapot (350cc) and cups (50cc) are available individually or as a set.

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$17,800.00 TWD
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$17,800.00 TWD
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Contemporary White Porcelain Craft · Fired at 1300°C

Designed by Taiwanese artist Heinrich Wang

Designed by contemporary white porcelain artist Heinrich Wang, each piece embodies Eastern philosophy and contemporary form.

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Transforming life philosophy into functional art, conveying a Zen-inspired modern aesthetic.

Transparent-glazed pure white porcelain | Hand crafted

Crafted with a transparent glaze technique, revealing the pure beauty of porcelain’s natural white after firing.

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Only human hands can convey their warmth — every NewChi Porcelain piece is handmade, embracing the challenges of fine porcelain craftsmanship.

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Gift Box & All-Occasion Card

Perfect for important festivals, greetings to elders, corporate gifting, and art collections — conveying taste and blessings. If you would like a handwritten all-occasion card, please note your request in the remarks field at checkout.

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For custom wooden or acrylic bases, please contact customer service.

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    Why Drifting Clouds | Why This Set

    The cloud handle is unlike any other teapot handle you have held. Most teapots carry their handle across the top or at the side. On Drifting Clouds, the handle is a small circular form — like a ring of cloud — positioned at the center of the body. The grip is different: thumb and forefinger close around it lightly, the pot suspended in the hand. The act of lifting feels considered, slightly ceremonious, unlike the automatic reach for an ordinary handle.

    The elongated body is a posture of direction. The body extends laterally in both directions, long and clean as a shuttle, with a quality of purposeful forward movement. Heinrich Wang writes that the piece moves like a clear wind and a drifting cloud — searching, anticipating, selective about the encounters it is waiting for.

    The contrast of light and heavy is the ceremony. A tall base rises like a mountain; a cloud circle rests above it. Wang describes this directly: "The dramatically elongated body and the rising base — like wind and cloud, refined and solemn. This contrast of light and heavy reflects the gravity of sitting across from someone, in this moment." The tea is almost secondary to what the objects have established between the people holding them.

    Lidless — open, ready, unhurried. The absence of a lid is deliberate on two levels: the open mouth lets tea leaves expand and release their fragrance naturally, making the pot ideal for oolong and green teas that need room to breathe; and the lidlessness is itself a philosophy — no preparation required, no ceremony needed to begin. Pick up the pot and start. This is the casual ease that lives alongside the formal ceremony in the same object.

    Usage Scenarios

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      One or two people, an afternoon

      Wang once wrote of sharing Dongding oolong with a friend using Drifting Clouds — on a glass table in a bright, spare room, the tea's layers emerging clearly in the clean environment. "Between the two of us, the friendship felt more solid." The 350cc volume is exactly right for this: enough for several rounds, unhurried.

    • 行雲霧黑茶壺與茶杯組|現代東方黑瓷茶器

      Any time, without preparation

      The lidless pot is always ready. There is no searching for the lid, no additional step before the water goes in. This is one of the things the piece is quietly proposing: that the ritual of a good cup of tea does not need to be organized. It just needs to begin.

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      A considered gift for someone who takes tea seriously

      Drifting Clouds ships in a gift box. Teapot and cups are available individually or together — suited to the recipient's existing set, or as a complete beginning.

    行雲白瓷茶壺側面特寫|如浮雲般的環形提把

    Design Detail

    Every line on Drifting Clouds has a purpose. The spout is barely visible — tucked quietly behind the handle, extending only as much as necessary. The rim carries a raised line that encircles the tea like a low fence. The base lifts the pot off the surface: the table is the ordinary world, and the pot exists slightly above it.

    The cloud handle is the most technically demanding element. Positioned at the center of the body and attached as a separate piece, it must be joined while the clay is still workable, with shrinkage precisely calculated so that after firing, the handle sits true and the suspended circular form holds its shape. A long, flat body surface is among the most difficult forms to fire without warping — the simplicity of the silhouette is earned, not assumed.

    Product Detail

    Design Concept

    Drifting Clouds is part of Heinrich Wang's Mountain Water Line — a series he designed after years of thinking about what a contemporary teapot should do. The series began with an observation at a tea ceremony competition: every contestant had set a beautiful table, but all in the same classical style. There were, Wang noted, very few choices. The Mountain Water Line was his attempt to give tea a new set of objects — ones that carried the cultural weight of the tradition while speaking the language of the present.

    Heinrich Wang on Drifting Clouds:

    "Named 'Drifting Clouds' to express the value of each brewing encounter — wherever the cloud drifts, that is where the connection is found. Like this unusually long and refined shuttle-shaped body, moving forward lightly like a clear breeze and floating cloud — searching, anticipating, selective about each intersection of fate."

    And on what the form is doing:

    "The dramatically elongated body and rising base, like wind and cloud — refined and solemn. This contrast of light and heavy reflects the gravity of sitting across from someone in this moment. Yet life continues to move like wind and cloud. Everything follows its own timing. Until the next encounter."

    Excerpted from Heinrich Wang, The Will of the Teapot — Mountain Water Line, Locus Publishing.

    Occasions or Usage

    The lidless design suits teas that benefit from an open environment:

    Dongding Oolong (light or medium roast) — Wang's own choice for this pot. 90–95°C. For one or two people.

    Lushan Cloud Mist (green tea) — grown above 800m, harvested in early May, one bud and one leaf. Clear, bright liquor with orchid fragrance. 85°C. Unhurried, at ease.

    Ideal For

    Personal use: Those who want the daily act of brewing tea to carry intention — and who notice the design language of the objects they live with.

    Gifting: A close friend who takes tea seriously; a senior or collector who appreciates considered craft; a meaningful gift for retirement, a significant birthday, or any occasion that deserves something lasting.

    Collecting: The Mountain Water Line is Heinrich Wang's most formally adventurous teaware series. The cloud handle of Drifting Clouds is unlike anything else in white porcelain teapot design — a piece with lasting collectible value.

    Dimension

    Teapot: L19.8 × W8.9 × H12.7 cm | 350cc
    Cup: L9 × W6.5 × H3.7 cm | 50cc

    • A ceremony in motion — light as one brushstroke of cloud.
      A fervent anticipation — subtle as one breath of morning wind.
      The gravity of a once-in-a-lifetime encounter —
      held still where fate, fully gathered, finds its calm.

      — Heinrich Wang

    八方新氣與琉園創辦人王俠軍

    About the Artist | Heinrich Wang

    Heinrich Wang, founder of NewChi Porcelain and Tittot, is one of Taiwan’s most representative contemporary artists in white porcelain and liuli glass. Renowned for infusing philosophy and poetry into object design, his works have been exhibited at the National Museum of History in Taiwan, the Taiwan Craft Research and Development Institute, and the Triennale di Milano, earning recognition from collectors worldwide. Every porcelain piece is personally overseen by Wang, offering an aesthetic choice that unites artistry, cultural depth, and practical function.

    FAQs

    How is Drifting Clouds different from a standard teapot?

    The most immediate difference is the handle — not across the top or at the side, but a small circular form at the center of the body, like a ring of cloud. The grip this produces is unlike a standard handle: the pot is held rather than carried, suspended lightly in the hand. Combined with the elongated shuttle body and the tall base, Drifting Clouds has a visual presence and a physical presence that a conventional teapot does not. It changes the quality of the act of pouring — slightly more deliberate, slightly more aware.

    The pot has no lid — how does that affect brewing?

    The open mouth lets tea leaves expand fully and release their fragrance into the air rather than trapping it under a lid. This makes Drifting Clouds best suited to teas that benefit from breathing: light to medium-roast oolongs (Dongding, High Mountain) at 90–95°C, and green teas (Lushan Cloud Mist, Longjing) at around 85°C. For heavily roasted oolongs or aged pu-erh — teas that need the heat retained under a lid to open fully — a lidded pot is a better choice. The absence of a lid also means there is nothing to find before you begin: the pot is always ready.

    Is Drifting Clouds a good gift?

    It is a particularly good gift for someone who would appreciate the design story as much as the object itself — the Mountain Water Line concept, the cloud handle, the deliberate lidlessness. The teapot and cups are available separately, so the gift can be tailored: a teapot alone for someone who already has cups they love, or the complete set for someone beginning a considered tea practice. Each piece ships in a gift box. Suitable for significant birthdays, retirement, or any occasion where the wish is to give something that will be used with attention for a long time.

    Creativity

    Keeping pace with modern style, crafting moving stories of our era through contemporary aesthetics and emotion.

    Craftsmanship

    Exquisite mastery shapes each piece into a refined creation that carries both tradition and innovation.

    Poetry

    With symbolic blessings and a sense of solemn ceremony, exploring an aesthetic dialogue that unites body and soul.