
從佛像創作談生活禪境 -王俠軍
做瓷器後,因緣不斷,白瓷的色澤和工藝的突破,讓神聖佛像更顯靈動殊勝。 瓷器作品〈晴空萬里〉,有技術支撐,作品即別開生面的展現玻璃所無法實現的美感張力。單腿趺坐,寓意視覺化,佛像藝術化,作品在依然莊嚴歡喜的法像下,以靈動的姿態,演繹放「空」後無事一如身輕的心境,作品釋放修行訊息,一如師父在身旁慈悲親切的開示提醒。白,深化晴空萬里、無盡超然的殊勝。
Founder
Heinrich Wang, who has worked in advertising, directing, and acting, is the first Chinese artist to work with "modern art glass" and the founder of "tittot".
Following the colorful glasswork, Wang turned to white porcelain. Continuing the tradition of porcelain's elegance and grace, he reinterprets the new era of porcelain with innovative contemporary art and modern vocabulary. Each piece is rich in cultural and humanistic sentiment and positive values.
He has been honored with the 5th "Cultural and Artistic Inheritance Award", the 2010 Ernst & Young International "Cultural Entrepreneurship Award", the 2004 Martell Extraordinary Personality Art Award, the 2018 Taiwan Tatler Annual Artist Award, and was named one of the outstanding Chinese innovative and creative leaders in the "Chinese Innovators" organized by the China Development Research Center of the State Council.
His works have been collected by institutions such as the Palace Museum in Beijing, the Taiwan Museum of History, the Taiwan Center for Traditional Arts, the Museo del Vidrio in Mexico, the Corning Museum of Glass in the United States, and the Victoria & Albert Museum in the United Kingdom. Due to his innovation in craftsmanship and aesthetics, he was awarded an Honorary Fellow by the International Academy of the United Nations.
I have a great love for traditional crafts that require a lot of labor. I not only enjoy the lengthy process and the ritualistic details, which exhibit a wonderful display of understanding and memory of the materials, but also the confidence and ambition that come from the hands. Of course, there are also disappointments and setbacks that come from the hands.
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Learn More做瓷器後,因緣不斷,白瓷的色澤和工藝的突破,讓神聖佛像更顯靈動殊勝。 瓷器作品〈晴空萬里〉,有技術支撐,作品即別開生面的展現玻璃所無法實現的美感張力。單腿趺坐,寓意視覺化,佛像藝術化,作品在依然莊嚴歡喜的法像下,以靈動的姿態,演繹放「空」後無事一如身輕的心境,作品釋放修行訊息,一如師父在身旁慈悲親切的開示提醒。白,深化晴空萬里、無盡超然的殊勝。
王俠軍老師對於會“破”的材質情有獨鍾,他在《美學時光》中的易碎的至上美德一文中提到,易碎的材質正因為易碎 「於是建立細心、緩慢與事物互動的習慣,慢,讓我們有體會、品味事物美好的空檔,有了感覺,就會珍惜,這份珍惜的心態開始延伸擴大到周遭的人、事、物、環境的對待上,漸漸惜福、感恩之情油然而生...」
重啟中華瓷器高度,跨越1800年的鴻溝 瓷器自東漢末年逐漸成熟的民族工藝瓷器,1800 年以來曾經輝煌,但 近 百 年來 的 發展卻是遲緩而停滯。在追憶它偉大的前生之餘,其今生和來世,一直是橫亙眼前 的命題,這心中糾結近三十年的僵局,終至知天命之年有機會嘗試突圍,希望為它 的殞落,找尋新的出口。